Itay Marienberg-Milikowsky is currently a visiting scholar at the Interdisciplinary Center for Narratology, Universität Hamburg, where he conducts his post-doc research entitled “The Rise of Narrativity in Talmudic Literature: Computational Perspectives.” This is our third post in an ongoing series on Digital Humanities and Rabbinic Literature.
In Alfred Döblin’s famous novel Berlin, Alexanderplatz, a certain Franz Biberkopf rejoins the modern city after a prolonged incarceration, where he is astonished by the relentless, alienating pace of change. In time, Biberkopf gradually becomes entrapped in a net of forces stronger than himself, and his bewilderment is reflected in the splitting of his voice – or, maybe, the narrator’s voice – into two (if not more) contradictory points of view. Thus, the telegraph is described in one sentence as “astonishing, clever, tricky,” while in a subsequent sentence, we read: “It’s hard to get enthusiastic about all this; it functions, and that’s…
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